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SEASON: 1994-1995  1995-1996  1996-1997  1997-1998  1998-1999  1999-2000  2000-2001 2001-2002  2002-2003   2003-2004 2004-2005 2005-2006
2006-2007

 

May 30 - July 13, 2002
Opening Reception: Thursday May 30, 6-8pm

MAIN SPACE: Infotecture

Participants include: AMO and 2x4, Bureau of Inverse Technology, Diller + Scofidio, Foundation 33, Ken Goldberg and Karl Bohringer, Graft, Janette Kim, Lunar Design, and the Sociable Media Group at MIT Media Lab.

curated by guest curator Jenelle Porter

Lunar Design
Blu e-jacket, 2000
made of digital fabric
 

Infotecture responds to the information age — a complex and often alienating force in daily life — by examining how information is handled by designers and architects. Information design takes many forms, from computer networks, to statistical analysis; from buildings, to highly specialized DNA maps. Taking into account the vast scope of work in this area, Infotecture addresses the more personalized and normalizing aspects of information design. Projects in the exhibition use information as a platform, a tool, a textile, or a framework. They might help us to navigate information overload, represent data as a physical model, enable the complexities of information systems to disappear, or highlight the socioeconomic and political approaches to data utilization. Other works in the exhibition illustrate vast communication networks, such as information technology, email programs, and the books and magazines we read. Infotecture creates a place for information to be visualized, virtually and physically.

Bureau of Inverse Technology Janette Kim Ken Goldberg and Karl Bohringer
Center of Attention, 1996
Model: Silicon, 60 x 80 x 10 micrometers
Photo: output from a Scanning Electron Microscope, 60 x 60 mm

ARCHITECTURE AND DESIGN PROJECT SPACE:
Ayse Birsel and Karin Fong: Wunderkammer: A Cabinet of Words

Wunderkammer [Œvun-der-kam-mer] n., German: 1. a cabinet of curiosity used to house rare natural and man-made specimens [17th-18th century]. 2. one such collection of foreign words having no English equivalent. 3. an installation by Ayse Birsel (Olive 1:1) and Karin Fong (Imaginary Forces), selected by Andrea Codrington.

PROJECT SPACE: Kendall Buster: Parabiosis

Kendall Buster, 2002
Parabiosis
Architectural model

Parabiosis is defined as the artificial or natural joining of two individuals. Generated out of the collision of distinct enclosures, the resulting architectural installation is a complex form that suggests either a process of hybridization or a fusion of independent organisms.

 

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