July
15 -
July 31, 2004
Opening Reception: Thursday, July 15,
6 - 8pm
Salad
Expos: Public
events with the artists and curators
July 21, 6 - 8pm; July 24, 4-6pm; July 31, 4 - 6pm at
Artists Space

|
| 12
Curators |
select |
12
Artists |
Tomoko
Ashikawa
Isolde Brielmaier
Jennifer Chapek
Amy Davila
Dean Daderko
Louky Keijsers
Heather Kouris
Luisa Lagos
Jennifer Musawwir
Nicole Russo
Jeffrey Walkowiak
Letha Wilson |
|
Brigitte
Boyer
Hank Willis Thomas
Lisa Hamilton
Matthew Siegle
Ross Cisneros
Emily Katrencik
Claudia Joskowicz
Jiae Hwang
Jackie Salloum
Ezra Johnson
Lisi Raskin
Drew Gilmore |
|
|
A person's "salad
days" are the days of youth, when he or she is "green" (without
experience), but fresh and hopeful.
the important connotation
of the phrase is the sense of crisp, fresh youth, tossed
with abandon and topped with the tangy vinaigrette of boundless
optimism.
-
The Word Detective, Evan Morris, 1998
|
Salad
Days presents the work of twelve emerging artists who
are at a particular moment in their artistic career described
as their salad days. Ten emerging curators were
invited by Artists Spaces Associate Curator, Letha Wilson,
and Program Coordinator, Jennifer Chapek, to collaborate with
them and each select one artist for this exhibition. This group
of curators, also in their "salad days," met several
times to address conceptual and organizational aspects of the
show. Each curator brings to the table their unique curatorial
perspective and experience, reflected in their choice of artists.
The end result is an exhibition that showcases an exciting
group of artists at the beginning of their careers, and provides
them with an opportunity to present their work to a broad audience.
In order to
shed light on the curatorial process, each curator will present
both an essay on the work of the artist they have chosen, and an
essay expressing their own curatorial perspectives and philosophies.
The exhibition will also be accompanied by three public events
called Salad Expos. At each event four artists, along
with the curators by whom they were chosen, will participate in
activities ranging from discussions to performances.
Salad
Expos at Artists Space: A chance for the public to
meet Salad Days artists and curators. Each artist will
be in attendance with the curator who chose them, and activities
will range from casual discussion to performance events. All
events are free and open to the public.
Wednesday,
July 21st, 6:00 to 8:00 pm: Lisa Hamilton and Jennifer Chapek,
Lisi Raskin and Jeffrey Walkowiak, Jackie Salloum and Jennifer
Musawwir, Hank Willis Thomas and Isolde Brielmaier
Saturday,
July 24th, 4:00 to 6:00 pm: Drew Gilmore and Letha Wilson,
Ezra Johnson and Nicole Russo, Emily Katrencik and Louky Keijsers,
Matthew Siegle and Amy Davila
Saturday,
July 31st, 4:00 to 6:00 pm: Brigitte Boyer and Tomoko Ashikawa,
Ross Cisneros and Dean Daderko, Jiae Hwang and Luisa Lagos, Claudia
Joskowicz and Heather Kouris
*Click on
the artists or curators names below for essays and background
information
related to that person.
 |
 |
| Brigitte
Boyer selected
by Tomoko
Ashikawa |
Ross
Cisneros selected
by Dean
Daderko |
| Through
her own experiences with chemotherapy as an early adolescent,
Brigitte Boyer's work, The Sick Collection, discusses
issues of the human body, the inorganic versus the organic,
the natural against the fabricated. By using modern medical
practice as a vehicle to visualize her experiences, her work
portraits how the human body could be changed into a different
form, like a cyborg. |
Ross
Cisneros' Native is a video work that addresses the
evangelical concerns of the artist and Bubbles, the film's
narrator. Native is a duel between the existential real,
the myth of the West, and what's cool. |
 |
 |
| Drew
Gilmore selected
by Letha
Wilson |
Lisa
Hamilton selected
by Jennifer
Chapek |
| Drew
Gilmore takes urban icons and objects and transforms them through
specific materials into minimal sculpture and installation.
The content of his work is a re-evaluation and contemplation
of urban experience though specific building types or geological
formation, often skewing or reversing their original meanings. |
In
the paintings of Lisa Hamilton, fragments of reality, perceptions,
thoughts and dreams weave in and out of the picture plane as
exact lines, dizzying swirls, and quasi-representational images.
This confrontation takes place on wood panels, creating places
of tension with the vibrantly colored paint. |
 |
 |
| Jiae
Hwang selected
by Luisa
Lagos |
Ezra
Johnson selected
by Nicole
Russo |
| In
the series I am the Real Princess of the Magical Land,
Jiae Hwang confronts the images of power, youth, hope, and
uncanny innocence as a statement of individualism or standardization.
In these works, the artist celebrates and neutralizes reality
by deploying a weapon of cartoon-like figures (anime) to reinterpret
the universal image of school girls' uniforms. |
Ezra
Johnson uses painting, drawing, and sculpture to create pieces
that capture everyday scenes and commercial products. His work
can be seen as a filter through which cultural clutter is processed,
blending together the media's constant bombardment of images
to create a balanced scene from all the chaos. |
 |
 |
| Claudia
Joskowicz selected
by Heather
Kouris |
Emily
Katrencik selected
by Louky
Keijsers |
| Claudia
Joskowicz's work focuses on the lapses in narrative that are
formed when texts or events are taken out of their original
context and represented through popular media; be it television,
film or the internet. |
In Architecture:
Consuming that Which Consumes Emily Katrencik examines
space and architecture by balancing between social boundaries
and structures. Part of the piece presents lollipops made
from sugar, corn syrup and concrete of a Le Corbusier building,
suggesting an invitation for the spectator to consume the
wall alongside the artist. |
 |
 |
| Lisi
Raskin selected
by Jeffrey
Walkowiak |
Jackie
Salloum selected
by Jennifer
Musawwir |
| Lisi
Raskin's projects include mock test sites, fictional neurotic
scientists and make-believe spaceships that are at once playful
and carefree but also laden with anxiety and fear. Her most
recent work = (equals) is a landscape portrait that
examines and compares three different sites: the desert, an
active nuclear power plant, and an Olympic diving and swimming
pool that was once a large Jewish cemetery. |
Jackie
Salloum's Arabs-a-Go-Go presents a lively video montage
of Middle Eastern films from the 1930's through 70's paired
with an equally invigorating soundtrack. Salloum's video is
a reminder that lighthearted, popular culture occurs around
the globe and despite regional/ethnic variations, they share
the characteristic youthful and good-humored elements of American
pop culture. |
 |
 |
| Matthew
Siegle selected
by Amy
Davila |
Hank
Willis Thomas selected
by Isolde
Brielmaier |
| Matt
Siegle constructs meticulous collages of Sports Illustrated
football players and greeting card animals using quotidian
materials such as plastic baggies, Scotch tape, discarded frames
and contact paper. These iconic figures are placed within a
new context, giving the viewer a fresh look at banal images
and prosaic resources. |
Hank
Willis Thomas' images and objects explore the tenuous relationship
between history, the body, race, class and commercial markets,
visually examining the ways in which each of these aspects
comes to bear on today's carefully and intentionally developed
products, logos and corresponding ad campaigns. |
|