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January
18 - March 10, 2007
Opening Reception: Thursday January 18,
6-8pm
MAIN
SPACE:
ELEPHANT
CEMETERY
Artists: Terence
Gower and Pedro Reyes, David Maljkovic, Kirsten Pieroth, Pablo
Pijnappel, Falke Pisano, Pia
Rönicke, Tina Schulz, Jamie Shovlin, Kerry Tribe, Mario Garcia Torres
Curated
by Christian Rattemeyer |
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Tina
Schulz: Untitled (Von Heir Aus 1), 2006
Inkjet print, 100 x 150cm, Courtesy Galerie B2_, Leipizig,
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The
group exhibition Elephant Cemetery addresses
the oppositional pair of presence and absence as sculptural
forms. Departing from the traditional functions monumentality
and memory perform in contexts of commemoration and remembrance,
the exhibition is concerned with a reading of these terms
as excesses of presence and absence. The relational pair
of monumentality and memory function through operations of
exaggeration—either through a dramatic increase in
scale, or through the deliberate or traumatic removal of
an object—and thus are thought of as fundamentally
sculptural. Bringing together ten international artists working
in all media, Elephant Cemetery takes
stock of the ways in which we engage with sculpture, how
scale can trigger memories, and how a memory might serve
as a starting point for a renewed engagement with objects. MORE
INFO
Elephant
Cemetery is supported by the Consulate General of the Netherlands,
The Danish Arts Council, The Mondriaan Foundation and The Trust
for Mutual Understanding.
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Falke
Pisano: Studio Lecture 1 (Feb. 2006), Lecture on DVD,
42 min. (with A5 publication), Courtesy of Ellen de Bruijne
Projects, Amsterdan, 2006) |
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PROJECT
SPACE:
Leslie
Hewitt : Replica of a Lost Original
With
a contribution by Rose Olu Ronke Ojo |
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Untitled
(Refraction), 2006
Photographic documentation of a temporary collage, 6 x 7 cm color transparency,
Courtesy the artist
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“Snapshots,
ephemera, oral stories pasted down, official and unofficial biographies
left on bookshelves, found letters and mementos of sorts, suspended
in time for constant reconsideration of moments pregnant with political
and social agency” are the raw material for Leslie Hewitt’s
photographs and installations, in which she is stripping away the
density of mediated culture, and sifting through misrepresentations
of genuine ideals. Hewitt quite literally builds on the idea of
protest, of flux, of change, of revolution and creates structures
which capture temporary manifestations of subjectivity, and which
may last
an instant or a long time. MORE
INFO
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