Toshihiro Komatsu


Artist and His Studio, 1996

model of Atelier 217
plywood, Styrofoam, plexiglas mirror
16" x 21" x 28"

Japanese Houses, 1997

b & w photo collage

16" x 20"

Inverted Office, 1998

brick, glass block, concrete, wood, plexiglas

17.5' x 9.5' x 14.5'

Inverted Office (detail), 1998

glass block, concrete, wood, plexiglas

17.5' x 9.5' x 14.5'

click the images above to view artist's work

My work explores the issues of place, personal experience of space and structural architectural characters of buildings. I have subdivided my oeuvre in three groups: The artist's studio, the museum, and the private house.

Over the past seven years, I realized a number of purposeful re-interpretations of the artist's studios. The performing artwork entitled "Artist and His Studio" (1996) consists of a wearable model of my studio in which four sheets of Plexiglas mirror are installed. The mirrors reflect the surrounding environment through two windows of the model around the face of the artist that is in concealed within the ultraminiaturize studio. The studio becomes the scopic device of the artist while wearing the model.

My mirrored periscopes, installed in a museum space, allow visitors to experience the surrounding art space, and outdoor environment, thus extending the sense of space by breaking down the physical and structural limit of the architectural container. The periscopes in "Observatory" (at P.S.1, 1999) and in "Adjoining Spaces" (at Queens Museum of Art, 2000) are embedded into the floor and wall of the exhibition space to enable the viewer to see into the lower galleries and beyond the wall.

Japanese people traditionally design and create their own private houses with carpenters from the beginning of the construction process to the end. "Japanese Houses" (1997) consists of 23 families and their own houses. Each photograph contains all family members, whose faces are covered with the picture of their houses. The fusion between the people and their houses becomes an anthropomorphism, which appeals to an analogical relationship between the human body and architecture.


Toshihiro Komatsu

Present address:
37-12 21st Avenue
Astoria NY 11105
phone/fax: (718) 204-6177

Permanent address:
Kamigaya-cho 6798-1
Hamamatsu City
Shizuoka Prefecture
432-8005 Japan
phone/fax: +81 (0)534856384

Website: www.toride-ap.gr.jp/TAP2000-E/trap/komatsu.html
email:toshihiro@alum.mit.edu

Education
1999 Massachusetts Institute of Technology, Cambridge MA
M.S. Vis. S.
1993 Tokyo National University of Fine Arts and Music, Tokyo, Japan
M.F.A.
1991 Tokyo National University of Fine Arts and Music, Tokyo, Japan
B.F.A.

Residencies
1999 P.S.1 Contemporary Art Center, LIC, NY
Special Project Program.
1995-6 Rijksakademie van beeldende kunsten, Amsterdam, the Netherlands

Selected Exhibitions
2000 "Queens Focus 03: Adjoining Spaces," Queens Museum of Art, Queens, NY

Toride Art Project 2000, Toride City, Japan

"Transposed: Analogs of Built Space," SculptureCenter, NY

American Photography Institute exhibition, Osaka, Japan

1999 "Japanese Houses" and "Observatory," Special Projects Fall 1999,
P.S.1 Contemporary Art Center, LIC, NY
1998 American Photography Institute exhibition,
The Gallery of Tisch School of the Arts, New York University, NY
1997 "Repeat Reverse," the Yale Art and Architecture Building, New Haven, CT
1996 Watertoren CHK, Vlissingen, the Netherlands

"Secrets," Gate Foundation, Amsterdam, the Netherlands

Selected Projects
1999-2000 Commission work, Nippon Organon K.K., Osaka, Japan.

1998-1999 "Inverted Office N51-113," Department of Architecture MIT, Cambridge, MA

1996 "Artist and His Studio," Rijksakademie van beeldende kunsten, Amsterdam, the Netherlands

1995 "Illumination" and "Mobile Space," Rijksakademie van beeldende kunsten, Amsterdam, the Netherlands

1993 "Reconstruction of Studio 204," Yamanashi, Japan (outdoor pavilion)

Selected Awards
2000 Pollock Krasner Foundation Grant
1998 American Photography Institute Fellowship

1997 & 98 Department of Architecture, MIT, Scholarship Recipient

1996 & 97 Union Foundation for Ergodesign Culture Grant, Japan

1995 PSV Foundation Grant, the Netherlands

Selected Publications
TAP 2000 (exhibition catalogue), TAP 2000 office, Toride City, Japan, 2001

Transposed: Analogs of Built Space (catalogue), Sculpture Center, New York, 2000

Queens Focus 03 brochure, Queens Museum of Art, Queens, New York, 2000

TAP 2000 (proposal show catalogue), TAP 2000 office, Toride City, Japan, 2000

National Graduate Seminar Bulletin 1998, American Photography Institute, 1999

Inverted Office N51-113, thresholds 17, Department of Architecture, MIT, 1998

Atelier 217, Rijksakademie van beeldende kunsten, 1996

Between Day and Night, the artist's book, 1992